Elizabeth’s 35-year commercial career began in New York in the 1980’s
Her commercial clients included: American Express, NPower, Smirnoff Vodka, Perrier Jouet Champagne, Waterford Crystal, Laura Ashley, Harrods, The Conran Shop, Marks and Spencer, Boots and Johnson and Johnson
Her work has been widely published: The New York Times Sophisticated Traveler, Conde Nast Traveler, Town and Country, Marie-Claire, Good Housekeeping, Elle Decor, Elle, Grand Designs, House and Garden, The World of Interiors, The Sunday Times Magazine, The Telegraph Sunday Magazine, Gourmet, Bon Appetit, Domino, Vogue, Vanity Fair and Martha Stewart Living
Her portraiture has been included in the Taylor Wessing Portraiture exhibition at the National Portrait Gallery
Elizabeth describes her current personal practice as “neo-Pictorialist”. Her cyanotype and other alternative printing techniques emphasise the aesthetic and embrace the other-worldly
Elizabeth describes some recent work:
“In 2019 as an Artist-in-Residence at Parham House in West Sussex, I returned to my photographic roots. I spent a year photographing the Jacobean Manor House and Walled Gardens with an 8×10” view camera. I produced salted paper and cyanotype prints for the exhibition.
“In 2022 I shot a project at the Booth Museum of Natural History in Hove on 8×10, creating a series of salt points that became Endangered Species. This was exhibited in London. Last year it was part of my Victorian Modern Exhibition in Arundel with the Zimmer Stewart Gallery.”